Makcik. Kampung Alor Ganu, Anak Bukit, Alor Setar. Kedah, December 2017 |
After having lunch, Mak Saodah washed the
dishes and got ready for prayer.
That was the time that her husband, Pak Mohammed took a nap.
When the prayer in the hall was over, so as not to disturb him, Mak took off her telekung and went out into the garden.
She went into the thick vegetation behind the house with a red plastic bag in her hand. She collected enough rambutans to fill the bag, while her fingers chased away the ants that were also running up her arms.
Rambutan |
They had never had a big fight. Mak, she had always indulged him and he had respected and loved her.
Well, if she had to describe what love was, maybe she wouldn't have been able to. That is, it certainly wasn't the overwhelming love she saw in the movies.
“It's not like we're Saloma and P. Ramlee*,” she thought aloud, grinning as she walked home with the heavy plastic bag on one side.
“Quite right? Am I Saloma?” she asked
jokingly to the cat who looked at her without expression.
“But not that there is only that
kind of love,” Saodah kept thinking while in the
kitchen she began to prepare dinner before going fishing. “There are many types of love; respect is one
of them, for me.”
She was almost trying to get the
words out of her mouth as the radio played a Sudirman song at a low volume.
“In my opinion, there are people who
are born to experience those movie-type loves, but many others love each other like me
and Abang. With simplicity,
with modesty.”
She thought about when it was the
last time he had kissed her on the lips and she began to smile like a child,
her hand wrinkled and flat with thick veins poking her mouth, with shame, as if
someone could read her thoughts.
“What are you thinking, Mak!?” she told to scold herself.
However, she did not remember it. But she was fine with
that. Their love had generated the love of
their children and their grandchildren. This was the most important gift.
“After all, films are just about bringing
to life stories that most ordinary people will never be able to experience,” she said to herself, smiling setting
the fish on the fire.
Meanwhile, Mak saw her husband walking towards the door with the rug under the arm. He went to pray in the surau.
“I'm cooking fish tonight, Abang. Soon, I'm going fishing with Mak Rokiah. Have you looked at the bicycle?” Mak said aloud, leaning out of the kitchen
door. She saw her husband from behind nod the head as he put
on his black sandals and headed out the driveway.
The old woman's wrinkled face lit up
with a calm smile.
She turned off the radio, picked up
the fish bones, and walked to the door, taking her usual hijab with another hand.
Just outside the side door, she threw
the bones at the cat, who ran hopping and meowing.
Saodah put on the veil, arranged it
neatly on the sides of her face, pushing inside the white hair, and went to get
the fishing rod in the tool shed.
She grabbed the bike, tried the
brakes and satisfied Mak headed for the river.
The air was fragrant. It was her air, she could recognize it with the eyes closed, without seeing where she was.
“What is the use of traveling the
world? My whole world is enclosed in this
air that smells of river, rambutan, and wood of the house boards,” she thought while pedaling.
From a distance, she saw Mak Rokiah who was waiting with the fishing rod in her hand and her wide
camouflage hat.
“Assalamualaykum,” they greeted each other and went to sit on
the edge of the small stream. Ahead it joined the great brown river of water
that reached the edge of the market.
Near Mak's house, there was still the wooden jetty pulled by ropes, by the
hand, which carried her, when she was still a child, to the other side of the
river to go to school.
At that time, it seemed to her the
greatest adventure that could ever happen. Children's eyes see things in a
different dimension, then as they grow older their gaze adapts to that of
reality.
Every so often she comes back and, with Mak Zaleah who lives right there, they still go from one shore to the other just
to remember their childhood and slap each other on the arms laughing.
The two friends fished for an hour,
taking only a few small ikan sepat, but talking a lot about cooking and
the latest case on everyone's lips: that is, the daughter of Pak Irfan, the fruit seller, who apparently got pregnant before the wedding
that will take place in a few weeks.
Mak greeted her friend. “Till we meet again. Tonight I will cook delicious fish for Abang,” Mak Saodah said as she climbed onto the bicycle. Mak Rokiah nodded and turned to walk home.
Mak Saodah rode her bike home as the sun goes down.
She sat down for a moment on her
husband's bamboo bench and admired the large house and the sun radiating
through the branches of the trees. The cat rubbed on her ankle; she stroked him
with her hand as she felt a grip in her heart.
No one can understand the beauty of
this place if they haven't lived there, she thought as she touched her chest on
the blouse with another hand.
Mak sighed deeply and walked back
into the house with the light giving way to shadows.
She went to the bedroom. Mak could
hear the flushing of the water in the bathroom, it was Pak taking a shower.
Saodah started stroking the pillow
slowly.
She had done it, both of them.
Still with the traditional method of
kampung.
Using cotton from the dried leaves
of the kapok tree, which they called pokok kekabu. Mak stocked it in
bags so that it was well dried, keeping it even for years; then she sat in the
back of the house, protected from the wind, with part of the hijab covering her
mouth and nose and began to separate the seeds from the cotton. She beat it
well and filled the linings made with kain fabrics that she no longer used
after sewing them. Every three or four years she replaced the cotton which had
now hardened.
Now young people prefer to buy
pillows, no one has the patience to keep cotton for years and work it.
The fabric of the pillow was
yellowed with moisture and sweat, but on those pillows, they had loved each
other, she thought, looking at the long fingers with thick knuckles and the veins
bulging the dry skin of their hands.
She went into the kitchen and
prepared the two dishes with rice, roasted fish, dried anchovies, vegetables, and sambal. She sat in the dim light of the kitchen, with the small white bulb
hanging over the sink and the radio playing a Saloma song.
“Ah, Istana Cinta! This is a
beautiful song!” Mak exclaimed loudly, happily as she
rocked the head, beating time with the tips of her toes on the floor, muttering
the lyrics with the mouth full, as she finished the food with a full hand.
Kau sentuh runtuh jadi pusara
Cahaya hidupku jadi gerhana
bisa jiwa memandang gembira...”*
Saodah turned to the radio and said
smiling, “This is my Palace of Love, Saloma!” Then, she had a pain in her chest and
touched the chest with a grimace.
“Abang! Abang! Come to eat!” Mak
screamed as she stood up to wash her plate.
The old woman glanced at her
husband's place with the full plate and the glass of water and the coffee one
with a saucer to keep it warm.
She turned off the radio and the
light walked down the dark corridor. Mak looked into the living room and saw Pak sitting in the armchair smoking while watching an old black and white
film on television.
“Go eat, Abang, the fish gets cold. It's tasty, you'll like it so much...,” she said.
He looked at her, smiled, nodded, and
turned to watch television.
“Hard-headed,” Saodah muttered faintly as she walked towards the bedroom.
She went to the bathroom to wash,
did the ablution, prayed next to their double bed.
Mak put the folded rug in two with
the telekung on top of it, untied the short hair, and lay down slowly on
the bed with a grimace and the creaking of the springs.
She had another stronger sharp pain
right in the middle of her breast.
Mak Saodah frowned, placed her left
hand on the empty side of the bed beside her, closed her eyes, and let out her
last breath.
She died alone, as she had lived
through the last four years of her life.
Pak Mohammed had died of a heart
attack four years earlier.
“The secret of a good old age
is simply an honorable pact with solitude.”
(Gabriel García Márquez)
* P. Ramlee and Saloma were a famous couple in film and music industry in the late 1950s / 60s in Malaysia and also married.
*“With love, I built a palace
You touch it collapses into a grave
The light of my life became an eclipse
can the soul look happy...”
(Saloma, “Istana Cinta”)
I shocked read the ending of this story. I feel sad, but when thinking deeper, this is the story all about. About love between two old couple. Love until death.
ReplyDeleteI grinned big when read about Mak Saodah was talking with cat. Also thinking about her love to her husband. Also you state it with Saloma and P Ramlee.
I love the way you describe about kampung life. Perfectly! Not only about the fishing moment, but also the routine of an old woman in kampung.
Now i know about the phrase ' kau sentuh runtuh jadi pusara.'
Congratulations!
Amazing as usual.😍
Really happy you like it, it's my gift to people of kampung and makcik2 🙏
DeleteI was searching for the meaning of love, the love that should be reciprocated, throughout the story and found idleness of the husband that made my heart ached... I did not expect the ending to be that abrupt but the effect is like i was stabbed straight in my heart. You caused me a sudden heart attack😂.
ReplyDeleteYou nailed it... Perfect👍
After writing my comment, i reread and found out that i repeated "heart" 3 times. It is all about heart for me😊❤️.
DeleteI wish that this story bring love more than sadness. It's its all about heart: that is the Istana Cinta 😊
DeleteYour story reminds me of my mom and dad. I witnessed their love like this.
ReplyDeleteEndingnya sedih.
Terima kasih 🙏
DeleteLet the palace of love become the proof of your love...not a prison for someone you love.
ReplyDeleteAgree 💪
DeleteThank you for trying to know about village life. Walking between the faces and stories of the villagers.
ReplyDeleteWhere we find love that blooms and is fragrant. To build a sincere palace.